“Jack D. Teemer’s photographs taken in American Rust Belt cities during the 1980s examine the ways in which neighborhoods and urban infrastructure have been shaped by the industry that surrounds them. His pictures quietly celebrate the ways in which humans strive to live together in the shadow of manufacturing—even in its decline. Cinematic vistas, presenting a wide view of a city’s urban structure, set the stage for pictures that focus more narrowly on neighborhoods and individual yards. Bridges and freeways loom over homes and restaurants; fences surround each home; signs, automobiles and gardens crowd each yard; children jump from porches and play with hoses. Although many of these yards have seen better days, the diverse residents of communities who call them home cultivate and enliven their small plots of land. Teemer records these distinctive American Rust Belt stories, from the cities on the verge of economic and civic recovery to the families who live boisterously in close quarters, with great care for the human experience.”
— From the Introduction by Lisa Sutcliffe, Herzfeld Curator of Photography and Media Arts, Milwaukee Art Museum
Drawing on the visual language of Cubism, the Vietnamese photographer creates whimsical renditions of the nude form.
There is no single formula that guides the practice of Han Nguyen; visual stimuli and, sometimes, instinct shape his work. For Nude Compositions, a selection of which are on show at Joseph Bellows Gallery, La Jolla, California, from 02 May to 14 June, the photographer co-opts the pictorial language of Cubism. Nude forms, rendered in black-and-white and fragmented by layered planes, melt into related shapes and tones – shreds of Cubist paintings; abstract shapes; greys, whites, and blacks.
On Place exhibits the work of three of the Midwest’s most experienced photographers culminating in 45 images from their excursions along the region’s back roads, broad landscape, rivers, and small towns.
Joseph Bellows Gallery is pleased to announce the representation of John Humble. Humble has been photographing the city of Los Angeles since the mid 1970s, producing an incredible and luminous document of the city's urban landscape. His photographs describe, in the artist's words, "swift changes in the built environment, particularly the often awkward and interesting juxtapositions of old and new."
This exhibition highlights one of the Addison collection’s great strengths—images of the American landscape, both natural and manmade. Whether historical or contemporary, fact or fiction, abstract or representative, celebratory or critical, private exploration or social document, all of the photographs assembled in this show comment to one degree or another on the contesting powers of culture and nature.
Charles Johnstone’s portfolio includes Brooklyn Corrugated Iron Fences, Thirty Four Basketball Courts, A Few Empty Pools, Some New York Handball Courts, and New York Storefront Churches, printed in the luminous cibachrome process.
Joseph Bellows Gallery is pleased to sponsor a book-signing for Susan Ressler at the 2018 Medium Festival of Photography. The artist's book-signing will take place Thursday, October 18, from 7:00-9:00pm and Saturday, October 20, from 12-1pm. The book-signing is in support of her gallery exhibition, Executive Order: Images of 1970s Corporate America running October 5 - November 30.
The SCAD Museum of Art presents "In the Present: Five Decades" by veteran photographer Elaine Mayes, exploring works that span 50 years of her career. The exhibition includes iconic works from the 1960s and ‘70s as well as mines lesser-known aspects of her practice to consider in relation to recent work.
Shifting Light offers a twenty-first century perspective on the museum’s long-term engagement with the popular medium of photography. Organized into the broad categories of place, identity, and creativity, the exhibition juxtaposes photographs in ways that amplify their meanings and suggest new narratives. Ansel Adams’ famous 1940 photograph Moonrise, Hernandez is paired with a 1975 landscape by Thomas Barrow from his series Cancellations, while Alfred Stieglitz’s 1918 portrait of Georgia O’Keeffe keeps company with images by Anne Noggle and Joyce Neimanas.