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Terraced Garden, 1972-73

Terraced Garden

1972-73

gum bichromate print on fabric with applied embroidery

14 x 11 inches on 20 x 16 fabric, mounted

Cabbage, 1972

Cabbage

1972

gum bichromate print on fabric with applied embroidery

10 x 10 inches on 20 x 16 fabric, mounted

Red Cabbage , 1972

Red Cabbage 

1972

gum bichromate print on fabric with applied embroidery

10 x 10 inches on 20 x 16 fabric, mounted

Cabbage, 1973

Cabbage

1973

gum bichromate print on fabric with applied embroidery

10 x 10 inches on 20 x 16 fabric, mounted

Lettuce, 1972

Lettuce

1972

gum bichromate print on fabric with applied embroidery

11 x 14 inches on 16 x 20 fabric, mounted

Grapefruit, 1972

Grapefruit

1972

gum bichromate print on fabric with applied embroidery

11 14 inches on 16 x 20 fabric, mounted

Broccoli, 1972

Broccoli

1972

gum bichromate print on fabric with applied embroidery

11 x 14 inches on 16 x 20 fabric, mounted

Blue Chrysanthemum #1, 1978

Blue Chrysanthemum #1

1978

Cyanotype with pastel and colored pencil

20 x 16 inches

Morning Mum, 1979

Morning Mum

1979

Van Dyke print with pastel

20 x 16 inches

Speculation with 6, 1979

Speculation with 6

1979

Cyanotype with metallic watercolor and pastel

16 x 20 inches

Cut Flowers 4, 1979

Cut Flowers 4

1979

4 color lithograph with applied color

20 x 16 inches

Carmen de Barros Iris, 1985

Carmen de Barros Iris

1985

Cyanotyope with watercolor and pastel

20 x 16 inches

Maria Francisca Iris, 1985

Maria Francisca Iris

1985

Van Dyke print with watercolor

20 x 16 inches

Chinese Peony, 1987

Chinese Peony

1987

Van Dyke print with metallic watercolor and white gouache

20 x 16 inches

Press Release

Joseph Bellows Gallery is pleased to present an online solo exhibition of photographic works by Betty Hahn.  The exhibition Betty Hahn: In the Garden, showcases original works from two of the artist’s remarkable series. Embroidered, gum bichromate fabric prints of vegetables are exhibited alongside prints from her series on flowers, which employ various techniques and print-making processes including: Cyanotype and Van Dyke printing with applied pastel and watercolor.  Hahn’s work emphasizes photography, while challenging established ideas regarding the medium’s presentation. Through the incorporation of handmade photographic processes and techniques traditionally associated with domestic craft, Hahn pushes photography to its edges, exploring both image creation and print-making. 

Betty Hahn completed a BA at Indiana University (1963) with a focus in drawing and painting. She turned to photography as a graduate student at Indiana University and, at the suggestion of Henry Holmes Smith, began to experiment with alternative photographic processes. She completed her MFA there in 1966.  After completing her studies at IU, she moved north to Rochester and from 1967 to 1968 she participated in Nathan Lyon's Visual Studies Workshop alongside Robert Fichter, Thomas Barrow, Roger Mertin. Hahn taught at Rochester Institute of Technology until 1975. She was then offered a position at the University of New Mexico, Albuquerque, where she was a professor of photography until her retirement in 1997.

Hahn's work is held within the collections of the Museum of Modern Art, San Francisco Museum of Modern Art, Center for Creative Photography, Los Angeles County Museum of Art, Norton Simon Museum of Art, Harry Ransom Center, among many others.